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Artprice: France’s Cultural Policy is Not in the Country’s Best Interests According to thierry Ehrmann
By pursuing a strategy of concentrating the country’s cultural offer on its capital, France is leaving itself dangerously exposed to stronger players. French artists, galleries and auction houses are finding it increasingly difficult to emerge from the shadow of their powerful Anglo-Saxon rivals, both in France and on the international scene.
In reaction to this article, thierry Ehrmann, Artprice’s founder CEO says: “This is no surprise to anyone: Paris enjoys a favorable regime at the cultural level. But the imbalance has become too great, too obvious. The French capital is no longer an El Dorado, neither for its artists nor for the Art Market.”
“In 1964, Sotheby’s acquired America’s leading auctioneer at the time, the New York operator Parke-Bernet. The firm was initially offered to French auctioneers, but they refused. France is still suffering from the “Parke-Bernet Syndrome“, as I defined and explained it to 9 Ministers of Culture. Each time they were shaken.”
Sales Catalogs of Parke-Bernet Galleries – Artprice Archives
4% of the global Art Market
The situation has changed significantly since the 1960s. Paris is still clearly the bastion of French auction sales, accounting for 90% of the country’s total turnover. But half a century ago, France was at the epicentre of the global market. In 2018, France generated just 4% of global fine art auction turnover.
But even this diminished market is struggling to remain French. Dominated by the Anglo-Saxon auction houses, Sotheby’s and Christie’s generated 51% ($353.5 million) of France’s total fine art auction turnover in 2018… and that total is a very small percentage of their global Fine Art business. Representing just 4% of their combined global sales, the Parisian auction houses have become almost secondary for Christie’s and Sotheby’s. The New York marketplace generates 15 times more turnover than Paris, London 6 times more and even Hong Kong generates nearly 3 times more than the French capital.
Meanwhile, Phillips, the world’s third largest auction house by turnover, has simply decided not to organise sales in Paris…
Frexit
France woos the major British and American players in the Art Market, but it struggles to keep its own artists who prefer to go and live elsewhere. On 7 June, the New York Times drew its readers’ attention to the singularity of the French pavilion at the 2019 Venice Biennale in an article entitled “Laure Prouvost represents France. But she doesn’t feel very French“. Indeed… the 41-year-old artist, born in France, works in Antwerp, Belgium, and was revealed in 2013 by the Turner Prize, Britain’s most prestigious art award.
In an interview with the French business newspaper Les Echos, gallery owner Daniel Templon explains: “At the FIAC, there are sixteen ultra-big stands available, but only one was occupied by a French gallery. Our leading Contemporary Art Fair sees us as secondary and, by the same token, our artists too […]. If emerging artists want to succeed and move up the price ladder, they have to move abroad, to Germany, Belgium, Los Angeles or New York.”
Daniel Templon justifiably blames French museums: “French museum directors believe it is better to exhibit foreign artists and say they would attract fewer visitors with French artists. […] Before exporting our artists, we should at least try to generate a domestic market for them here in France. […].”
The Parisian gallerist concludes: “If institutions don’t accompany us, there won’t be any powerful galleries left inFrance.”
Towards a different cultural policy
Paris possesses some of the best cultural institutions in France and in the world for that matter. From the Primitive arts to the Contemporary scene, from Antiquity to the Medieval period… Paris has it all.
The Louvre – figurehead of the entire system – is the most visited museum in the world. But, as the Express article explains, it has received massive financing: “In the 1980s, François Mitterrand decided to renovate the Louvre, launching much needed work including extension, restoration and construction of the famous pyramid. The State paid everything, which seems logical. However, in 2012, when the French State inaugurated the museum’s satellite in Lens […], the State’s contribution to its funding was fixed at a tiny 1%“.
Moreover, in geographical terms, France’s cultural policy resembles a laboratory; the provinces are used as testing grounds where young curators and young museum directors are sent to prove themselves. This year, for example, the organisation of the Lyon Biennale has been entrusted to the young curatorial team of the Palais de Tokyo, and Jean de Loisy, whose presidency of the museum has just ended, has withdrawn… to devote himself to the management of the Ecole des Beaux-Arts in Paris and his excellent radio program “Art is Matter” on France Culture.
Artprice’s recently published ranking of France’s Contemporary Art museums based on Google reviews confirms the extraordinary success of Parisian museums compared to those of France’s regions.
SOURCE Artprice.com
STOCKHOLM, April 5, 2024 /PRNewswire/ — EQT AB’s Q1 Announcement 2024 will be published on Thursday 18 April 2024 at approximately 07:30 CEST. EQT will host a conference call at 08:30 CEST to present the report, followed by a Q&A session.
The presentation and a video link for the webcast will be available here from the time of the publication of the Q1 Announcement.
To participate by phone and ask questions during the Q&A, please register here in advance. Upon registration, you will receive your personal dial-in details.
The webcast can be followed live here and a recording will be available afterwards.
Information on EQT AB’s financial reporting
The EQT AB Group has a long-term business model founded on a promise to its fund investors to invest capital, drive value creation and create consistent attractive returns over a 5 to 10-year horizon. The Group’s financial model is primarily affected by the size of its fee-generating assets under management, the performance of the EQT funds and its ability to recruit and retain top talent.
The Group operates in a market driven by long-term trends and thus believes quarterly financial statements are less relevant for investors. However, in order to provide the market with relevant and suitable information about the Group’s development, EQT publishes quarterly announcements with key operating numbers that are relevant for the business performance (taking Nasdaq’s guidance note for preparing interim management statements into consideration). In addition, a half-year report and a year-end report including financial statements and further information relevant for investors is published. Finally, EQT also publishes an annual report including sustainability reporting.
Contact
Olof Svensson, Head of Shareholder Relations, +46 72 989 09 15
EQT Shareholder Relations, [email protected]
Rickard Buch, Head of Corporate Communications, +46 72 989 09 11
EQT Press Office, [email protected], +46 8 506 55 334
This information was brought to you by Cision http://news.cision.com
https://news.cision.com/eqt/r/invitation-to-presentation-of-eqt-ab-s-q1-announcement-2024,c3956826
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Invitation to presentation of EQT AB’s Q1 Announcement 2024 |
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- Kia drives forward transformation into ‘Sustainable Mobility Solutions Provider’
- Roadmap enables Kia to proactively respond to uncertainties in mobility industry landscape, including changes in EV market
- Company to expand EV line-up with more models; enhance HEV line-up to manage fluctuation in EV demand
- Goal to sell 1.6 million EVs annually in 2030, introducing 15 models
- PBV to play a key role in Kia’s growth, targeting 250,000 PBV sales annually by 2030 with PV5 and PV7 models
- Kia to invest KRW 38 trillion by 2028, including KRW 15 trillion for future business
- 2024 business guidance : KRW 101 tln in revenue with KRW 12 tln in operating profit; operating profit margin of 11.9% on sales of 3.2 million units globally
- CEO reaffirms Kia’s commitment to ESG management
SEOUL, South Korea, April 5, 2024 /PRNewswire/ — Kia Corporation (Kia) today shared an update on its future strategies and financial targets at its CEO Investor Day in Seoul, Korea.
Based on its innovative achievements in the years since the announcement of mid-to-long-term business initiatives, Kia is focusing on updating its 2030 strategy announced last year and further strengthening its business strategy in response to uncertainties across the global mobility industry landscape.
During the event, Kia updated its mid-to-long-term business strategy with a focus on electrification, and its PBV business. Kia reiterated its 2030 annual sales target of 4.3 million units, including 1.6 million units of electric vehicles (EVs). The 2030 4.3 million annual sales target is 34.4 percent higher than the brand’s 2024 annual goal of 3.2 million units.
The company also plans to become a leading EV brand by selling a higher percentage of electrified models among its total sales, including hybrid electric vehicles (HEV), plug-in hybrid (PHEV), and battery EVs, projecting electrified model sales of 2.48 million units annually or 58 percent of Kia’s total sales in 2030.
“Following our successful brand relaunch in 2021, Kia is enhancing its global business strategy to further the establishment of an innovative EV line-up and accelerate the company’s transition to a sustainable mobility solutions provider,” said Ho Sung Song, President and CEO of Kia. “By responding effectively to changes in the mobility market and efficiently implementing mid-to-long-term strategies, Kia is strengthening its brand commitment to the wellbeing of customers, communities, the global society, and the environment.”
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VANCOUVER, BC, April 4, 2024 /PRNewswire/ — BioVaxys Technology Corp. (CSE: BIOV) (FRA: 5LB) (OTCQB: BVAXF) (the “Company“) is providing this bi-weekly update on the status of the management cease trade order granted on February 29, 2024 (the “MCTO“), by its principal regulator, the Ontario Securities Commission (the “OSC“), under National Policy 12-203 – Management Cease Trade Orders (“NP 12-203“), following the Company’s announcement on February 21, 2024 (the “Default Announcement“), that it was unable to file its audited annual financial statements for the year ended October 31, 2023, its management’s discussion and analysis of financial statements for the year ended October 31, 2023, its annual information form for the year ended October 31, 2023, and related filings (collectively, the “Required Annual Filings“). Under National Instrument 51-102, the Required Annual Filings were required to be made no later than February 28, 2024.
As a result of the delay in filing the Required Annual Filings, the Company was unable to file its interim financial statements for the three months ended January 31, 2024, its management’s discussion and analysis of financial statements for the three months ended January 31, 2024, and related filings (collectively, the “Required Interim Filings“). Under National Instrument 51-102, the Required Interim Filings were required to be made no later than April 1, 2024.
The Company anticipates filing the Required Annual Filings by April 30, 2024. The auditor of the Company requires additional time to complete its audit of the Company, including the Company’s recent acquisition of all intellectual property, immunotherapeutics platform technologies, and clinical stage assets of the former IMV Inc. that closed on February 16, 2024. In addition, the Company anticipates filing the Required Interim Filings immediately after the filing of the Required Annual Filings.
Except as herein disclosed, there are no material changes to the information contained in the Default Announcement. In addition, (i) the Company is satisfying and confirms that it intends to continue to satisfy the provisions of the alternative information guidelines under NP 12-203 and issue bi-weekly default status reports for so long as the delay in filing the Required Annual Filings and/or Required Interim Filings is continuing, each of which will be issued in the form of a press release; (ii) the Company does not have any information at this time regarding any anticipated specified default subsequent to the default in filing the Required Annual Filings and Required Interim Filings; (iii) the Company is not subject to any insolvency proceedings; and (iv) there is no material information concerning the affairs of the Company that has not been generally disclosed.
About BioVaxys Technology Corp.
BioVaxys Technology Corp. (www.biovaxys.com), a biopharmaceuticals company registered in British Columbia, Canada, is a clinical-stage biopharmaceutical company dedicated to improving patient lives with novel immunotherapies based on the DPX™ immune-educating technology platform and it’s HapTenix© ‘neoantigen’ tumor cell construct platform, for treating cancers, infectious disease, antigen desensitization, and other immunological fields. The Company’s clinical stage pipeline includes maveropepimut-S which is in Phase II clinical development for advanced Relapsed-Refractory Diffuse Large B Cell Lymphoma (DLBCL) and platinum resistant ovarian cancer, and BVX-0918, a personalized immunotherapeutic vaccine using it proprietary HapTenix© ‘neoantigen’ tumor cell construct platform which is soon to enter Phase I in Spain for treating refractive late-stage ovarian cancer. The Company is also capitalizing on its tumor immunology know-how and creation of a unique library of T-lymphocytes & other datasets post-vaccination with its personalized immunotherapeutic vaccines to utilize predictive algorithms and other technologies to identify new targetable tumor antigens. BioVaxys common shares are listed on the CSE under the stock symbol “BIOV” and trade on the Frankfurt Bourse (FRA: 5LB) and in the US (OTCQB: BVAXF). For more information, visit www.biovaxys.com and connect with us on X and LinkedIn.
ON BEHALF OF THE BOARD
Signed “James Passin“
James Passin, Chief Executive Officer
Phone: +1 646 452 7054
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