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Artmarket.com: CIHA Lyon 2024 – France. Artprice is an active sponsor of the International Congress of Art History (CIHA) which this year will be attended by a thousand researchers from over 70 countries

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PARIS, May 7, 2024 /PRNewswire/ — The Comité International d’Histoire de l’Art (CIHA) has existed since 1873 and its congresses have usually taken place every four years (sometimes colloquially referred to as the Art History Olympiad).

The only global event in this field, it allows researchers and professionals from the art and heritage disciplines to discuss, share, and debate a wide range of issues relating to art history and all of its political, social, and societal ramifications.

For France, which is hosting the 2024 Olympic Games in Paris, the CIHA will rank among the country’s major events of the year.

Organized by the French Art History Committee (CFHA) in partnership with the National Institute of Art History (INHA), the Lumière University Lyon 2 and the Rhône-Alpes Historical Research Laboratory (LARHRA CNRS UMR 5190), the 36th edition of this congress will take place at the Congress Center of the Cité Internationale de Lyon from June 23 to 28, 2024 (https://www.cihalyon2024.fr/en/)

According to thierry Ehrmann, CEO of Artmarket.com and founder of Artprice:

As one of its principal active patrons, Artprice is very happy to contribute to this global event, which is one of the most important for France and its international cultural policy. With participants from over 70 countries and more than 1000 speakers, this year’s CIHA will be a superb intellectual complement to the 2024 Olympic Games in Paris. Indeed, this extraordinary quadrennial Art History Congress consolidates France’s efforts to re-establish itself as an important cultural player on the international scene (according to Artprice’s Annual Art Market Report, it is already the leading art marketplace in continental Europe). We will of course be very pleased to welcome CIHA delegates to the global headquarters of Artprice by Artmarket, in the heart of the Contemporary Art Museum, La Demeure du Chaos / Abode of Chaos.”

The theme of this 36th edition of the CIHA is “Matter and Materiality” which is “inherent to the conception, production, interpretation and conservation of artifacts in all cultures across all periods of time… The concept of materiality … refers to the fact that the artifacts are composed of materials and, at a theoretical level, to all the processes — technical, cultural and social — that undergird the realization and the material perception of works of art.

This theme opens onto a whole panoply of very topical questions that reflect major societal, ecological and ethical changes. The congress will also address a wide range of technical issues relating to different categories of objects, from paintings to prints, from architectural techniques to the use of waste materials, from the human body to clothing, among others.

Discover the CIHA program online: https://openagenda.com/fr/ciha-2024

According to Olivier Bonfait, President of the French Committee for the History of Art (CFHA), organizer of the CIHA 2024:

“By the quality and diversity of the planned discussions, the growing number of participants and the international response it has received, this Art History Congress is already a global success. And, considering Artprice’s contribution to Art History by enhancing art market transparency, their support of this Congress is a great honor and makes perfect sense. Because the International Congress in Lyon is essentially a major celebration of Art History knowledge.”

During the congress, there will be more than 1000 speakers from more than 70 countries and Turkish author Orhan Pamuk, a Nobel Prize laureate, will deliver the opening speech.

Among the talks on the multiple subjects related to the main themes of the congress, there will be presentations by several prestigious speakers including Georges Didi-Huberman (EHESS, Paris), Éric de Chassey (INHA, Paris), Sven Dupré (Utrecht University, Netherlands), Finbarr Barry Flood (New York University, New York, USA), Tim Ingold (University of Aberdeen, Scotland), Isabelle Pallot-Frossard (President of the Fondation des Sciences du Patrimoine, Paris), Antoine Picon (Harvard University Graduate School of Design, Cambridge, USA), Devika Singh (Courtauld Institute, London), Gabriela Siracusano (Universidad Nacional Tres de Febrero, Buenos Aires, Argentina) and Monika Wagner (Universität Hamburg, Hamburg).

Several round tables will address issues related to digital technology, the art market, libraries, international research and restoration programs. And because the congress cannot address the subject of ‘matter’ without giving a voice to those who work on it, two international artists will present their relationship to materiality (in partnership with the Museum of Contemporary Art in Lyon): Sheela Gowda (from India) and Jefferson Pinder (from the USA, with support from the Terra Foundation). Artprice and its L’Organe Museum of Contemporary Art which manages La Demeure du Chaos (otherwise known as the “Abode of Chaos”, Dixit The New York Times) will participate in collaborative knowledge-sharing workshops.

In the evenings, discussions will continue during exceptional events organized with partner museums and foundations and the support of active patrons.

A special evening will be hosted at the global headquarters of Artprice by Artmarket, with a visit to its historical and unique documentary archive of art market knowledge from 1700 to the present day, located in the heart of its Contemporary Art Museum at the Abode of Chaos. A meeting will also be scheduled between its founding President, thierry Ehrmann, the scientific managers of the different departments of Artprice and CIHA researchers.

In addition, the Circle of Lyon Museum Patrons will host a reception at the Lyon Museum of Fine Arts during which restored works from its collection will be presented, and Lyon’s Museum of Contemporary Art will host the re-edition of a banquet designed by the Swiss artist Daniel Spoerri, thanks to a loan from the National Center of Visual Arts and the collaboration of Michelin-starred Lyon-based chef, Jérémy Galvan.

There will also be various heritage excursions to the surrounding Auvergne / Rhône-Alpes region during the last day of the congress (Friday 28 June 2024). Congress participants will thus be able to discover some important cultural places such as the buildings designed by Le Corbusier (Firminy and Le Couvent de la Tourette), the monumental heritage at Bâtie d’Urfé and Puy-en-Velay, the exceptional Palais Idéal du Facteur Cheval (Postman Cheval’s Ideal Palace), the Royal Monastery of Brou and the major museums of the region including those of Grenoble and Saint-Etienne, as well as important sites for conservation and restoration techniques (ARC Nucléart in Grenoble).

Throughout the congress, participants will be able to visit the city’s museums, contemporary art centers and galleries, and discover the architectural heritage of the city’s different eras (the Old Lyon district, the buildings designed by Tony Garnier, the city’s industrial heritage, etc.). Lyon is classified as a UNESCO World Heritage Site.

Artprice by Artmarket will be participating in a simultaneous Book Fair at the Lyon Convention Center that will allow participants to discover the most recent publications from major French and international publishers. Presentations of publications related to the theme of the congress will allow participants to meet and discuss with their authors from all over the world.

The CIHA is placed under the high sponsorship of the Ministry of Culture and its Minister Rachida Dati, the Ministry of Europe & Foreign Affairs and its Minister Stéphane Séjourné, the Ministry of Higher Education & Research and its Minister Sylvie Retailleau. It is supported by major institutions: the National Center for Scientific Research, the National Institute of Art History, the École du Louvre, the Université Lumière Lyon 2, the École Nationale Supérieure de Lyon, and the Grenoble Alpes University.

The organizers would like to thank all the foundations and patrons who have sponsored the travel arrangements of speakers, regardless of their geographical origin, thanks to mobility grants: Gerda Henkel Stiftung (Düsseldorf), Deutsches Forum Für Kunstgeschichte (Paris), Fundación Proa (Buenos Aires), Getty Foundation (Los Angeles), Tiqitaq Foundation (France), Italian Cultural Institute of Lyon, Samuel H. Kress Foundation (New York), Wu Zuoren International Foundation of Fine Arts (Beijing).

At the same time, foundations, cultural partners and companies have contributed to the organization of the congress: Artprice by Artmarket, Antoine de Galbert Foundation, Bullukian Foundation (Lyon), macLYON – Museum of Contemporary Art of Lyon, the Lyon Museum of Fine Arts, the Gadagne Museums, the Musée l’Organe managing La Demeure du Chaos / Abode of Chaos, the Terra Foundation for American Art, the Academy of Fine Arts, and numerous individuals.

The CIHA Lyon 2024 Congress is open to anyone interested in art, Art History and cultural heritage.

Register and take part in all the opportunities this exceptional congress offers you including professional exchanges, the consolidation of your networks, unique and convivial moments, discoveries of all kinds, and privileged visits to the region’s extraordinary heritage.

To register for the conference: https://www.cihalyon2024.fr/en/registration

To give financial support to the conference: 

https://www.cihalyon2024.fr/en/help-us-intro/patronage

Welcome to Lyon, the global capital of Art History in June 2024. We look forward to meeting you

Contact: [email protected]

The Management Committee

Laurent Baridon, Judith Kagan, France Nerlich, Sophie Raux

Copyright 1987-2024 thierry Ehrmann www.artprice.com – www.artmarket.com

About Artmarket:

Artmarket.com is listed on Eurolist by Euronext Paris, and Euroclear: 7478 – Bloomberg: PRC – Reuters: ARTF.

Discover Artmarket and its Artprice department on video: www.artprice.com/video

Artmarket and its Artprice department was founded in 1997 by its CEO, thierry Ehrmann. Artmarket and its Artprice department is controlled by Groupe Serveur, created in 1987.

See certified biography in Who’s who ©:

https://imgpublic.artprice.com/img/wp/sites/11/2024/02/2024_Biographie_thierry_Ehrmann_WhosWhoInFrance.pdf

Artmarket is a global player in the Art Market with, among other structures, its Artprice department, world leader in the accumulation, management and exploitation of historical and current art market information (the original documentary archives, codex manuscripts, annotated books and auction catalogs acquired over the years ) in databanks containing over 30 million indices and auction results, covering more than 840 000 artists.

Artprice by Artmarket, the world leader in information on the art market, has set itself the ambition through its Global Standardized Marketplace to be the world’s leading Fine Art NFT platform.

Artprice Images® allows unlimited access to the largest Art Market image bank in the world: no less than 180 million digital images of photographs or engraved reproductions of artworks from 1700 to the present day, commented by our art historians.

Artmarket with its Artprice department accumulates data on a permanent basis from 7200 Auction Houses and produces key Art Market information for the main press and media agencies (7,200 publications). Its 7.2 million (‘members log in’+social media) users have access to ads posted by other members, a network that today represents the leading Global Standardized Marketplace® to buy and sell artworks at a fixed or bid price (auctions regulated by paragraphs 2 and 3 of Article L 321.3 of France’s Commercial Code).

The Art Market’s future is now brighter than ever with Artprice’s Artmarket® Intuitive AI

Artmarket, with its Artprice department, has twice been awarded the State label “Innovative Company” by the Public Investment Bank (BPI), which has supported the company in its project to consolidate its position as a global player in the art market.

Artprice by Artmarket’s Global Art Market Report, “The Art Market in 2023”, published in March 2024:
https://www.artprice.com/artprice-reports/the-art-market-in-2023

Artprice by Artmarket publishes its 2023 Contemporary Art Market Report:
https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2023

Index of press releases posted by Artmarket with its Artprice department:
https://serveur.serveur.com/artmarket/press-release/en/

Follow all the Art Market news in real time with Artmarket and its Artprice department on Facebook and Twitter:

www.facebook.com/artpricedotcom/ (over 6.5 million followers)

twitter.com/artmarketdotcom

twitter.com/artpricedotcom

Discover the alchemy and universe of Artmarket and its artprice department https://www.artprice.com/video headquartered at the famous Organe Contemporary Art Museum “The Abode of Chaos” (dixit The New York Times): https://issuu.com/demeureduchaos/docs/demeureduchaos-abodeofchaos-opus-ix-1999-2013

La Demeure du Chaos / Abode of Chaos
GESAMTKUNSTWERK & SINGULAR ARCHITECTURE 
Confidential bilingual work now public:
https://ftp1.serveur.com/abodeofchaos_singular_architecture.pdf

Contact Artmarket.com and its Artprice department – Contact: Thierry Ehrmann, [email protected]

Photo – https://mma.prnewswire.com/media/2406782/36th_CIHA.jpg
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Artprice by Artmarket Headquarters at The Museum of Contemporary Art Abode of Chaos dixit NYT (Lyon - France)

 

Artmarket logo

 

 

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eWTP Arabia Capital’s Technology Fund I Recognized as Top Performing VC Fund in the Preqin League Tables

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RIYADH, Saudi Arabia, May 19, 2024 /PRNewswire/ — eWTP Arabia Capital Technology Fund I (“Techology Fund I”), managed by eWTP Arabia Capital (“eWTPA”), one of the leading private equity firms in the Middle East, was listed in the Preqin League Tables as the the fifth top-performing VC funds in the US$250 Million to US$499 Million category by net Internal Rate of Return (IRR) for vintages between 2015-2020.

“We’re delighted by the recognition of our Technology Fund I as a top-performing VC fund in our sector,” expressed Jessica Wong, Founder and Managing Partner of eWTPA. “This milestone underscores the commitment of our team and the robustness of our investment strategy. It also underscores the significant growth potential of the Middle East and North Africa market, particularly in Saudi Arabia, warranting attention. As a pivotal driver of technological advancement in the region, we’re steadfast in our mission to empower entrepreneurs and deliver value to our investors.”

“Being recognized by Preqin validates our hard work and dedication to supporting and actively contributing towards building the Saudi digital ecosystem,” said Jerry Li, Founder and Managing Partner of eWTPA. “As eWTPA continues to grow and expand its investment portfolio, it remains committed to fostering innovation and driving positive change in Saudi, the GCC and the global emerging markets ecosystem.”

eWTPA has demonstrated exceptional performance, solidifying its position among industry leaders. This recognition underscores eWTPA’s commitment to identifying high-potential market opportunities and generating returns for its investors.

The Preqin League Tables are regarded as a comprehensive and authoritative ranking system for private equity and venture capital performance. Preqin, a leading data provider in the alternative assets industry, compiles these league tables based on various performance metrics, including net Internal Rate of Return (IRR) and other key indicators.

eWTPA’s success reflects its strategic approach to investing high-growth sectors in the MENA region. The firm’s portfolio includes a diverse range of companies poised to make a significant impact on their respective industries.

Acting as a bridge between Asia and the Middle East, eWTPA’s Technology Fund I has achieved significant success since its inception in 2019. The Fund has invested in over 18 companies, several of which have successfully established themselves in KSA, like J&T Express, Raha, Sahm and COFE.

About eWTPA:

Founded in 2019, eWTP Arabia Capital is an investment firm based in Saudi Arabia and China. Backed by marquee regional and international Sovereign Wealth Funds, Institutional investors, and family offices, eWTPA helps create robust local digital ecosystems in the MENA region by partnering with market-leading international businesses and providing a gateway for these companies to establish a strong and sustainable presence in the region. To date, eWTPA has invested in over 18 companies, 13 of which have already established themselves successfully in KSA.

Media contact:

Haile Liao
+966 0530868568
[email protected]

Photo – https://mma.prnewswire.com/media/2416426/eWTP_Preqin.jpg

Cision View original content:https://www.prnewswire.co.uk/news-releases/ewtp-arabia-capitals-technology-fund-i-recognized-as-top-performing-vc-fund-in-the-preqin-league-tables-302149554.html

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Revio, the young fintech winning over Old Mutual and MTN

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Revio, a burgeoning fintech startup, has been making waves in the financial technology sector with its innovative solutions and rapid growth. This dynamic company, founded just a few years ago, has successfully garnered the attention and backing of industry giants like Old Mutual and MTN. Their journey from inception to becoming a key player in the fintech space highlights the potential of young startups to disrupt traditional industries and capture significant market share.

Innovative Solutions

Revio’s success can largely be attributed to its cutting-edge financial solutions that address pressing needs within the market. The startup offers a range of services designed to streamline financial processes, enhance security, and improve accessibility for both individuals and businesses. By leveraging advanced technologies such as artificial intelligence and blockchain, Revio has created products that not only solve existing problems but also anticipate future financial trends.

Strategic Partnerships

The partnerships with Old Mutual and MTN are pivotal milestones in Revio’s growth trajectory. Old Mutual, a renowned financial services group, brings a wealth of experience and a broad customer base, providing Revio with an invaluable platform for scaling its operations. On the other hand, MTN, a leading telecom company, offers extensive reach across various markets, particularly in Africa, where fintech solutions are in high demand.

These alliances are more than just financial endorsements; they signify a strong vote of confidence in Revio’s vision and capabilities. By collaborating with established entities, Revio can tap into new customer segments, enhance its technological infrastructure, and accelerate its market penetration.

Market Impact

Revio’s impact on the market is already evident. The company’s solutions are being adopted by a growing number of users, ranging from individual consumers to large corporations. This widespread acceptance is a testament to the practical value and reliability of Revio’s offerings. Moreover, the startup’s commitment to continuous innovation ensures that it stays ahead of the curve, adapting to the evolving needs of the financial sector.

Future Prospects

Looking ahead, Revio’s prospects appear promising. The financial support and strategic guidance from Old Mutual and MTN position the startup for sustained growth and expansion. As Revio continues to innovate and refine its products, it is likely to attract even more interest from investors and partners. The fintech landscape is highly competitive, but Revio’s unique approach and strong backing give it a distinct edge.

In conclusion, Revio’s journey from a fledgling startup to a fintech powerhouse exemplifies the potential for innovation and strategic partnerships to drive success. With the support of industry leaders like Old Mutual and MTN, Revio is well on its way to becoming a dominant force in the financial technology sector, transforming how financial services are delivered and experienced.

Source: theafricareport.com

The post Revio, the young fintech winning over Old Mutual and MTN appeared first on HIPTHER Alerts.

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Basel Committee highlights rising risks from finance digitalisation in new report

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The Basel Committee on Banking Supervision has recently released a comprehensive report detailing the increasing risks associated with the digitalisation of finance. As financial institutions worldwide embrace digital transformation to enhance efficiency and customer experience, the report underscores the need for vigilant risk management and regulatory oversight to address the emerging challenges in this rapidly evolving landscape.

Key Findings

The report identifies several key areas where digitalisation is contributing to heightened risks:

  1. Cybersecurity Threats: The proliferation of digital banking platforms and online financial services has led to a surge in cybersecurity threats. Cyberattacks, data breaches, and fraud are becoming more sophisticated, posing significant risks to both financial institutions and their customers. The Basel Committee emphasizes the importance of robust cybersecurity measures and continuous monitoring to safeguard sensitive financial data.
  2. Operational Risks: As banks and financial institutions integrate advanced technologies such as artificial intelligence, blockchain, and cloud computing, they face new operational risks. System failures, software bugs, and technology outages can disrupt services and lead to substantial financial losses. The report recommends that institutions develop comprehensive operational risk management frameworks to mitigate these risks.
  3. Regulatory Challenges: The rapid pace of digital innovation often outstrips existing regulatory frameworks, creating gaps that can be exploited. The Basel Committee calls for updated regulations that keep pace with technological advancements, ensuring that financial institutions operate within a secure and compliant environment. Harmonized global standards are essential to address the cross-border nature of digital finance.
  4. Third-Party Dependencies: Financial institutions increasingly rely on third-party service providers for critical functions such as cloud storage, payment processing, and cybersecurity solutions. This dependency introduces additional risks, including vendor lock-in and the potential for service disruptions. The report advises institutions to conduct thorough due diligence and implement robust third-party risk management practices.
  5. Consumer Protection: Digital finance has made financial services more accessible, but it also exposes consumers to new risks, such as digital fraud and identity theft. The Basel Committee highlights the need for stronger consumer protection mechanisms, including transparent communication, effective dispute resolution processes, and education initiatives to raise awareness about digital risks.

Recommendations

To address these rising risks, the Basel Committee offers several recommendations:

  • Enhanced Cybersecurity Protocols: Financial institutions should invest in advanced cybersecurity technologies and adopt best practices to protect against cyber threats. Regular audits and stress testing of cybersecurity systems are crucial to ensure resilience.
  • Operational Resilience: Developing and maintaining robust operational resilience frameworks is essential. This includes regular testing of disaster recovery and business continuity plans to minimize the impact of potential disruptions.
  • Regulatory Innovation: Regulators need to innovate and adapt to the changing digital landscape. This involves updating existing regulations, fostering collaboration between regulators and the fintech industry, and developing new guidelines that address the unique risks of digital finance.
  • Third-Party Risk Management: Financial institutions must implement rigorous third-party risk management policies, including comprehensive vendor assessments, ongoing monitoring, and contingency planning for critical service providers.
  • Consumer Education and Protection: Enhancing consumer protection through education programs and transparent communication about digital risks is vital. Financial institutions should also offer robust support systems for customers affected by digital fraud or other issues.

Conclusion

The Basel Committee’s report serves as a critical reminder of the complexities and risks associated with the digitalisation of finance. While digital transformation brings numerous benefits, including greater efficiency and accessibility, it also introduces significant challenges that must be addressed proactively. By implementing the report’s recommendations, financial institutions and regulators can work together to create a secure, resilient, and inclusive digital financial ecosystem.

Source: fintech.global

The post Basel Committee highlights rising risks from finance digitalisation in new report appeared first on HIPTHER Alerts.

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